And the Guardian agrees with me! Guardian Unlimited | Arts reviews | The Valkyrie, Coliseum, London: Lloyd's production, with designer Richard Hudson, assembles a muddle of contemporary imagery that adds nothing to Wagner's drama. Why, for instance, is Sieglinde dressed as a muslim woman in headscarf and trousers and her husband Hunding got up in camouflage fatigues? What does that image, with its inevitable suggestions of ethnic and religious conflict, add to an opera in which such themes are absent?
And I was right about the singing: For half of the first act, Per Lindskog was excruciatingly out of tune as Siegmund.
But why am I still so angry about this?